《三国演义》中的宗教仪式书写发微  

A Survey on the Writing of Religious Rituals in Romance of the Three Kingdoms

作　　者：侯本塔 纪德君[1,2] Hou Benta;Ji Dejun

机构地区：[1]广州大学人文学院,广东广州510006 [2]广州大学荔湾研究院

出　　处：《南开学报（哲学社会科学版）》2024年第6期125-133,共9页Journal of Nankai university Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金重大项目(17ZDA246)。

摘　　要：宗教仪式书写是《三国演义》经典篇章的重要构成部分,具体包括道术法术、斋醮科仪、降神妆神三种类型,且在不同版本系统中展现出或多或少的差异。这些宗教仪式主要来自对史书记载、野史传说的缀合改动,对讲史平话、三国戏曲的继承发展,对道教科仪、佛教文献的吸收创造,其中极具细节性的描写也有益于宗教科仪的深入考察。《三国演义》中的宗教仪式不仅对刻画人物形象、推动情节发展、营造奇幻氛围多有帮助,其间传达出的天命观念还成为解释人物命运变迁、朝代兴衰更替乃至赋予自身行为合法性的策略与手段。作为通俗小说中的普遍存在,宗教仪式与小说之间的互动关系是一个重要研究视角。The writing of religious rituals is an important component of the classic chapters in Romance of the Three Kingdoms,encompassing three types:Daoist magic,Taoist rites and spiritualism.These rituals display varying degrees of difference across different versions of the text.They mainly derive from modifications and adaptations of historical records and folk legends,the inheritance and development of storytelling traditions and Three Kingdoms operas,as well as the absorption and creation of Daoist and Buddhist texts.The detailed descriptions within these rituals also contribute to a deeper examination of religious rituals.The religious rituals in Romance of the Three Kingdoms not only assisted in character portrayal,advancing the plot,and creating a fantastical atmosphere,but the concept of divine mandate conveyed through them also became a strategy for interpreting the changes in characters’fates,the rise and fall of dynasties,and legitimizing their actions.As a common presence in popular novels,the interactive relationship between religious rituals and the narrative holds important research perspectives.

关 键 词：三国演义 宗教仪式 道教 佛教 天命史观 

分 类 号：I207.413[文学—中国文学] B945[哲学宗教—宗教学] B955