《笔法记》与唐宋之际的自然美学转向  

Conversation on Method and the Turning of Nature Aesthetics between Tang and Song Dynasty

作　　者：方汀 Fang Ting

机构地区：[1]广州美术学院

出　　处：《美术观察》2024年第10期62-64,共3页Art Observation

摘　　要：荆浩的《笔法记》是唐末重要的山水画论,为后世山水画的繁荣奠定了美学基础。《笔法记》从根本上解决了山水画发展的方向问题,走出了历代山水画论以画家为中心的山水画理论范式,将山水画的对象转变为一个“客体”,并通过主体性的“六要”范畴,构建了沟通主客之间的桥梁。Jing Hao's Conversation on Method is an important theory of landscape painting in the late Tang Dynasty,which laid an aesthetic foundation for the prosperity of landscape painting.Conversation on Method fundamentally solved the problem of the development direction of landscape painting,broke the painters-centered theoretical paradigm of landscape painting in the past dynasties,transformed the object of landscape painting into the"objects",that is,the"source of the physical image",and built a bridge between the subject and the object throughthecategoryofsubjective"sixessentials".

关 键 词：《笔法记》 物象之源 德性 

分 类 号：J212[艺术—美术] K23[历史地理—历史学]