耻感与死亡的具象化及其转向--《额尔古纳河右岸》的叙事与抒情  

The Figuration of Shame and Death and Their Transformation--Narrative and Lyricism in The Last Quarter of the Moon

作　　者：严家强[1] YAN Jia-qiang(Guangdong Mechanical&Electrical Polytechnic,Guangzhou 510515,China)

机构地区：[1]广东机电职业技术学院,广东广州510515

出　　处：《扬州教育学院学报》2024年第4期37-41,共5页Journal of Yangzhou College of Education

基　　金：教育部人文社会科学研究专项任务一般项目(22JDSZ3185)。

摘　　要：在《额尔古纳河右岸》的叙事与抒情中,呈现得最多也最为深刻的是耻感与死亡。耻感的产生源于个体对道德规范的违背,它在日常中具象化为某种爱恨,并最终以死亡作为归宿。接受耻感成为自我的一部分,并把对死亡的反思从他人之死转向自身之死,重新塑造完整的自我。这个自我也就成为对抗耻感的力量,而死亡的悬临也将成为一种积极的生存力量。In The Last Quarter of the Moon,shame and death are the most frequently and profoundly presented in its narrative and lyricism.Shame arises from an individual’s violation of moral norms.It is figuratively shown as a certain kind of love-hate in daily life and ultimately ends in death.The acceptance of shame becomes a part of oneself,and changing the reflection on death from that of others’to one’s own can reshape a complete self.This self then becomes a force against shame,and the imminence of death will also become a positive force for existence.

关 键 词：耻感 死亡 具象化 《额尔古纳河右岸》 

分 类 号：I207.425[文学—中国文学]