灵感与诗情营造的“艺术之宫”——郭沫若诗集《女神》的意象解读  

The“Palace of Art”Created by Inspiration and Poetic Sentiment——An Interpretation of the Imagery of Guo Moruo’s Poetry Collection The Goddesses

作　　者：王来迎 Wang Laiying(School of Literature,Shandong Normal University,Jinan 250014,China;School of Literature History and Culture,Qilu Normal University,Jinan 250200,China)

机构地区：[1]山东师范大学文学院,山东济南250014 [2]齐鲁师范学院文学与历史文化学院,山东济南250200

出　　处：《齐鲁师范学院学报》2024年第6期94-100,共7页Journal of Qilu Normal University

摘　　要：郭沫若的诗集《女神》突破了中国古典诗词的意象范畴,使用融合传统和现代的各类意象,形成破坏、创造与死亡的几类主题的意象群。诗集在意象的选取、运用和营造上整体呈现出自由流转、绚丽多姿的美学特征,体现出诗人重视自由表达的创作思想。郭沫若借助灵感“写”出来的诗大多是个人思想感情的自然流露与表达,因此《女神》并不是反映“五四”时代精神或者现代社会意识的单一文本,而是以个人诗情为主旋律的多重奏。Guo Moruo’s poetry collection TheGoddesses not only breaks through the category of traditional poetic images,but also selects rich and diverse things that combine traditional and modern things as poetic images.These images form the themes of destruction,creation,death,etc.,showing free circulation and colorful image aesthetics,reflecting the poet’s poetic creation thought of free expression of emotion.Most of the poems“written”by Guo Moruo with inspiration are the natural revelation of the poet’s thoughts and feelings,so TheGoddesses is not a single text writing the spirit of the May 4th Movement or modern consciousness,but a multi-piece with personal poetic feelings as the main theme.

关 键 词：郭沫若 《女神》 诗歌意象 灵感 情感表达 

分 类 号：I207.25[文学—中国文学]