体用·境界·工夫:苏轼“随物赋形”说新诠  

Essence-Function,Realm and Practice:A New Interpretation on Su Shi's Theory of“Giving Form According to the Thing”

作　　者：刘驰 Liu Chi(the School of Liberal Arts of Nanjing University)

机构地区：[1]南京大学文学院,江苏省南京市210023

出　　处：《文艺理论研究》2024年第5期170-180,共11页Theoretical Studies in Literature and Art

基　　金：国家社科基金青年项目“唐宋‘新子书’与古文运动研究”[项目编号:21CZW021]阶段性成果。

摘　　要：苏轼在不同人生阶段、文本语境中多次阐释了“随物赋形”说。此说的讨论对象经历了由自然之道到处世之道再到文章之道的变化,隐含了“体一而周万物”“通二为一”的体用论,展现了“终始惟一,时乃日新”的道德境界、“人固与天地相似”的天地境界、“空故纳万境”的审美境界,彰显了“精义入神”“无心必一”的工夫论。苏轼将逻辑思辨一变而为生命体验,将道学理念寓于诗文创作,使得“随物赋形”说既包含复杂深刻的思想阐发,又包含活泼灵动的实践感悟,反映出哲学理论对文艺观念与实践的影响,以及文艺观念与实践对哲学理论的超越。Su Shi articulated the theory of“giving form according to the thing”(suiwu fuxing)through various stages and texts.His discussions evolved from the way of Nature to the way of life and the way of essays,encompassing the theory of essence-function,the moral realm,the world realm,the aesthetic realm,and the theory of practice.Su Shi transformed logical speculation into life experience and conveyed the concept of Taoism in poetic creation.Consequently,his theory of“giving form according to the thing”embodies a complex interpretation of thought and vivid practical perception,reflecting both the influence of philosophical theory on literary concepts and practice and the transcendence of literary concepts and practice.

关 键 词：随物赋形 体用 境界 工夫 

分 类 号：I206.2[文学—中国文学] K244[历史地理—历史学]