“三礼”中工匠造物与天地秩序研究  

On the Craftsmen’s Creation and the Order between Heaven and Earth in Three Classics of Rites

作　　者：石琳 SHI Lin(School of Architecture and Landscape Design,Shandong University of Art&Design,Jinan Shandong 250300,China)

机构地区：[1]山东工艺美术学院建筑与景观设计学院,山东济南250300

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第12期13-16,38,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：国家社科基金艺术学项目:中华“三礼”设计伦理阐释与建构研究(22BG109)。

摘　　要：“三礼”作为中华文化源头《易》《礼》体系的核心著作,其中包含了大量关于工匠造物设计的相关内容,为我们系统了解先秦造物设计提供了依据。从现代设计学的角度看,研究发现“三礼”造物思想的主要内容表现在:一是百工顺应自然以“成物”;二是百工顺从天道以“合德”。二者相合充分体现了中华造物文化独具的“天人合一”民族特点,这对我们反思当代设计沉湎于工具理性和功能主义有着很好启示,也对我们新时代推进绿色设计和生态文明发展有着积极的意义。Three Classics of Rites,as the key works of the system of The Books of Changes and The Rites of Zhou Dynasty which are considered the origin of Chinese civilization,cover a wealth of information on the craftsman’s creation design.This provides a basis for the systematic understanding of the creation design during the pre-Qin period.From the perspective of modern design studies,research has found that the main ideas of the Three Classics of Rites in terms of artifact creation are:firstly,that all craftsmen should follow the rules of nature to“create objects”;secondly,that they should comply with the order between Heaven and Earth to“align with virtue.”These two aspects together fully reflect the unique national characteristic of Chinese artifact creation culture of“Heaven and Man as One,”which offers profound insights for us to reflect on contemporary design’s immersion in instrumental rationality and functionalism.It also holds positive significance for promoting green design and the development of an ecological civilization in the new era.

关 键 词：三礼 工匠造物 天地秩序 设计伦理 

分 类 号：K892.9[历史地理—民俗学] J505[历史地理—历史学]