数字时代网络文学生产的时空逻辑与审美生成  

Spatiotemporal Logic and Aesthetic Generation of Online Literature Production in the Digital Era

作　　者：韩传喜 楚艳艳 HAN Chuan-xi;CHU Yan-yan

机构地区：[1]东北财经大学人文与传播学院,大连116025 [2]东北财经大学媒介文化与媒介批评研究中心 [3]中国作家协会 [4]辽宁省作家协会文学理论批评委员会 [5]辽宁省鲁迅研究会 [6]辽宁省中国语言文学类专业教指委 [7]辽宁省新闻传播学类专业教指委 [8]大连理工大学人文学院,大连116024

出　　处：《求是学刊》2024年第6期155-163,F0003,共10页Seeking Truth

基　　金：国家社科基金重大项目“数字智能技术与新闻传播学的实践转向及知识生产范式变革”(24&ZD319);辽宁省教育厅基本科研项目“媒介融合时代文学经典的数字化传播研究”(JYTMS20230644)。

摘　　要：文学审美的变革总是伴随着文本生产与传播的速度、距离和范围的调整,体现出媒介载体所赋予的时空逻辑的深刻渗透。以媒介时空为背景,网络文学生成的具体程式及伴随的审美体验发生了新的变化。从时间维度来看,在媒介时间压缩、加速和分割的运动过程中,网络文学表现出碎片化叙事、共享式创作及弹性化生产等特征。从空间维度来看,网络文学借助虚拟、多维、流动的网络空间来承载故事,展现出巨量化的内容、复合性的符号及动态性的结构,构建起开放且多元的文本空间。在新的时空框架内,网络文学的审美追求呈现出时态的现场感和动态感以及空间场景的复合性与互动性。The transformation in literary aesthetics is always accompanied by adjustments in the speed,distance and scope of text production and dissemination,reflecting the profound penetration of the spatiotemporal logic endowed by the media carrier.With the background of media space-time,the specific formula of online literature generation and the accompanying aesthetic experience have undergone new changes.From the perspective of time dimension,in the process of compression,acceleration and division of media time,online literature shows the characteristics such as fragmented narrative,shared creation and flexible production.From the spatial dimension,online literature carries stories through the virtual,multi-dimensional and mobile cyberspace,displays gigantic quantitative content,composite symbols and dynamic structure,and constructs an open and diversified text space.Within the new spatiotemporal framework,the aesthetic pursuit of online literature presents the sense of scene and dynamics of the temporal state as well as the complexity and interactivity of the spatial scene.

关 键 词：网络文学 数字媒介 时间 空间 审美 

分 类 号：I206.7[文学—中国文学]