清末民国时期山西晋中地区的戏曲活动探析——以刘大鹏《退想斋日记》为视角  

Analysis of Opera Activities in Jinzhong,Shanxi Province during the Late Qing and Republican Periods——From the perspective of Liu Dapeng's"Retreat and Reflection Studio Diary"

作　　者：胡定[1] 乔新华[2] HU Ding;QIAO Xin-hua(Shanxi Tourism Vocational College,Taiyuan,Shanxi 030031;College of History and Culture,Shanxi University,Taiyuan,Shanxi 030006)

机构地区：[1]山西旅游职业学院,太原030031 [2]山西大学历史文化学院,太原030006

出　　处：《牡丹江教育学院学报》2024年第7期9-12,共4页Journal of Mudanjiang College of Education

基　　金：上海市关工委党史教育常态化工作专项基金(项目编号:2023GGW027)。

摘　　要：以刘大鹏的《退想斋日记》为主要史料,从其个人视角深入探讨了清末民国时期山西晋中地区的戏曲活动及其与社会变迁的互动,揭示了戏曲在文化传承、民众生活和地方身份认同中的重要作用,以及在政治、经济动荡中的适应与发展。通过对这一时期戏曲活动的分析,也为理解传统文化在现代社会中的传承与发展提供了新的视角。This paper takes Liu Dapeng’s Diary of Tuixiang Study as the main historical source,and deeply discusses the opera activities in central Shanxi during the late Qing Dynasty and the Republic of China from his personal perspective,as well as their interaction with social changes.It reveals the important role of opera in cultural inheritance,people's lives and local identity recognition,as well as its adaptation and development in political and economic turmoil.Through the analysis of opera activities in this period,it also provides a new perspective for understanding the inheritance and development of traditional culture in modern society.

关 键 词：清末民国 晋中戏曲 刘大鹏 退想斋日记 

分 类 号：J809[艺术—戏剧戏曲]