云南少数民族传统仪式舞蹈的审美意识研究  

A Study on the Aesthetic Consciousness of Traditional Ritual Dance of Yunnan Ethnic Minorities

作　　者：罗正国 王琛睎 LUO Zheng-guo;WANG Chen-xi(Yunnan University,Kunming,Yunnan 650032;Hanjiang Normal University,Shiyan,Hubei 442000)

机构地区：[1]云南大学,云南昆明650032 [2]汉江师范学院,湖北十堰442000

出　　处：《怀化学院学报》2024年第5期45-49,共5页Journal of Huaihua University

摘　　要：舞蹈是传统仪式活动中的重要组成部分,早在原始社会时期,人类的祭祀、仿生表演、巫术活动等仪式中就孕育了舞蹈的雏形。从艺术人类学视角来看,云南少数民族传统仪式舞蹈可划分为巫术仪式舞蹈、宗教仪式舞蹈、生殖崇拜仪式舞蹈、图腾崇拜仪式舞蹈四大类。这些仪式舞蹈体现出了“迷狂”的审美情调、“浪漫”的审美想象以及“和谐”的审美理想在内的审美意识特点,通过对于传统仪式舞蹈的分析,不仅能够了解少数民族群体的历史记忆与文化认同,还可以深入考察其审美心理活动变化与发展。Dance is an important component of traditional ritual activities.As early as the primitive society,human rituals such as sacrificial rituals,biomimetic performances,and witchcraft activities gave birth to the embryonic form of dance.From the perspective of art anthropology,traditional ritual dances of ethnic minorities in Yunnan can be divided into four categories:witchcraft ritual dances,religious ritual dances,reproductive worship ritual dances,and totem worship ritual dances.These ritual dances reflect the aesthetic consciousness characteristics of“madness”,“romance”,and“harmony”,including aesthetic ideals.Through the analysis of traditional ritual dances,not only can we understand the historical memory and cultural identity of ethnic minority groups,but we can also deeply examine the changes and development of their aesthetic psychological activities.

关 键 词：云南 少数民族 仪式 舞蹈 审美意识 

分 类 号：J722[艺术—舞蹈]