辩证审美意识下的亭子设计美学探析  

The Aesthetic Exploring of Pavilion Design under Dialectical Aesthetic Consciousness

作　　者：朱宇华 彭菊香 Zhu Yuhua;Peng Juxiang(Beijing University of Civil Engineering and Architecture,Beijing 100032,China)

机构地区：[1]北京建筑大学,北京100032

出　　处：《艺术与设计（理论版）》2024年第12期65-67,共3页Art and Design

基　　金：国家重点研发计划项目:桥梁文物风险评估和隐患排查关键技术与示范(2023YFF0906100)。

摘　　要：亭因其特殊的形式功能,而富有审美文化内涵和艺术感染力。由商周至清,亭的功能侧重点不断推移,从开始的军事民用为主逐渐转向审美性增强的游憩建筑,最终成为最重要的风景园林建筑之一。亭既是中国传统审美的结晶,又是传统哲学思想的外化表征。文章通过对亭中所包含的突出审美意识“天人合一”的分析,以牛心亭为例,解译“天人合一”审美意识在亭营造及功能等方面的表达。Because of its special form and function,the pavilion is rich in aesthetic and cultural connotations and artistic infectivity.From the Shang and Zhou Dynasties to the Qing Dynasty,the pavilion's functional focus was constantly shifted from the beginning of the military and civil use to the aesthetically enhanced recreational buildings,and eventually became one of the most important landscape architecture.Pavilion is not only the crystallization of traditional Chinese aesthetics,but also the externalization of traditional philosophical thoughts.This paper analyzes the prominent aesthetic consciousness of"unity of heaven and mankind"contained in the pavilion,and takes Niuxin Pavilion as an example to interpret the expression of the aesthetic consciousness of"unity of heaven and mankind"in the pavilion's construction and function.

关 键 词：亭 功能 审美意识 

分 类 号：J59[艺术—艺术设计]