折翼祭坛:媒介与功能  

Broken Wing Altar:Medium and Function

作　　者：秦辉[1] 宋公仆 Qin Hui;Song Gongpu(Communication University of China,Bejing 100105,China;University of Trier,Trier,Germany)

机构地区：[1]中国传媒大学,北京100105 [2]特里尔大学,德国特里尔

出　　处：《艺术与设计（理论版）》2024年第12期126-130,共5页Art and Design

摘　　要：折翼祭坛是德国中世纪晚期最重要的艺术形式,它从15世纪初一直到16世纪30年代,经历了飞速的发展,形成了完备的艺术表现语汇和程式。同时,折翼祭坛作为宗教艺术在当时具有强大的社会功能——展示圣物、吸引信徒、接受捐助、帮助救赎。它作为中世纪读图时代的主流媒体,是宗教经济中的核心一环。但是图像的泛滥最终导致了体系的崩溃。折翼祭坛在1630年之后迅速退出了历史舞台。The Flugelaltar was the most important art form of the late Middle Ages in Germany,which underwent rapid development from the early 15th century until the 1630s,forming a complete vocabulary and programme of artistic expression.At the same time,the Flugelaltar as religious art had a powerful social function at that time-displaying sacred objects,attracting believers,accepting donations,and aiding salvation.As the mainstream media in the medieval era of Reading-Pictures,it was a central part of the religious economy.But the proliferation of images eventually led to the collapse of the system.The Flu gelaltars quickly fell out of favour after 1630.

关 键 词：折翼祭坛 宗教艺术 中世纪晚期艺术 晚期哥特式 

分 类 号：J0[艺术—艺术理论]