《故事新编》与中国近现代历史小说认知范式的转变  

Transformation of Old Tales Retold and Cognitive Paradigm of Modern Chinese Historical Novels

作　　者：范桂真 FAN Guizhen(College of Culture and Media,Huanghuai University,Zhumadian 463000,China)

机构地区：[1]黄淮学院文化传媒学院,河南驻马店463000

出　　处：《长春大学学报》2024年第11期64-68,共5页Journal of Changchun University

基　　金：国家社会科学基金重点项目(19AZW019)。

摘　　要：明清以来,以《三国志通俗演义》为代表的历史小说,以对宏伟叙事、复杂情节、史学精神的追求,形成了演义体小说较为统一的认知模式。《故事新编》的问世以及鲁迅对新编体小说类型的区分与“没有将古人写的更死”的自我点评,体现出对现代意义上的历史小说的认知。不仅如此,《故事新编》还开创了中国现代历史小说概念革新与现代化写作的结合,理论与创作上的率先突破,也使得现代历史小说的范式发生了根本转变。Since the Ming and Qing dynasties,historical novels represented by The Popular Romance of the Three Kingdoms,have formed a relatively unified cognitive model of romance novels in pursuit of grand narratives,complex plots and historical spirit.The publication of Old Tales Retold and Lu Xun's differentiation of types of historical novels and his self-criticism of the writing style of historical novels reflect his understanding of historical novels with modern sense.In addition,Old Tales Retold also pioneered the combination of conceptual innovation and modern writing in modern Chinese historical novels and the breakthrough in theory and creation,which leads to the fundamentally transform of the paradigm of modern historical novels.

关 键 词：《故事新编》 现代历史小说 认知范式 

分 类 号：I207[文学—中国文学]