文学交融视域下的明清河湟诗文创作述论  

On Literary Creation in Hehuang Region during the Ming and Qing Dynasties from the Perspective of Literary Integration

作　　者：多洛肯[1] 晏庆波 Duo Luoken;Yan Qingbo(Faculty of Chinese Languages and Literatures,Northwest Minzu University,Lanzhou 730030,China)

机构地区：[1]西北民族大学中国语言文学学部,甘肃兰州730030

出　　处：《西北民族大学学报（哲学社会科学版）》2024年第6期152-161,共10页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：国家民委创新团队项目“中华文学遗产与中华民族共同体内涵建设”(项目编号:民委发[2020]76号);2022年度甘肃省优秀研究生“创新之星”项目“明清时期河湟地区民汉文化交融研究”(项目编号:2022CXZX-173)。

摘　　要：明清时期,随着外来文人的大量涌入,河湟地区诗文创作得到了空前的发展,整体上表现为作家作品层出不穷,题材内容丰富多彩,艺术水平不断提高。在中华各民族文化交融的大背景下,明清河湟诗文创作呈现出鲜明的文学交融特征。独特的西北风光与新奇的景观意象拓展了主流文人的创作题材,大气磅礴、苍凉悲壮的地域文化气质也以超强的感染力影响了外来文人诗风的转变。同时,丰富的文学交往活动有力地促进了中华各民族文学的交往交流交融,极大地推动了河湟地区少数民族文人汉语诗文创作的发展。During the Ming and Qing dynasties,with the influx of a large number of outside literati,the literary creation in the Hehuang region achieved unprecedented development.Overall,it was manifested by the continuous emergence of writers and works,rich and diverse subject matters and contents,and the continuous improvement of artistic levels.Against the backdrop of the cultural integration of all ethnic groups in China,the literary creation in Hehuang region during the Ming and Qing dynasties presented distinct characteristics of literary integration.The unique northwest scenery and novel landscape imagery expanded the creation themes of mainstream literati.The magnificent,desolate and solemn regional cultural temperament also influenced the transformation of poetic styles of outside literati with its strong appeal.Meanwhile,the rich literary communication activities effectively promoted the exchanges and integration of the literatures of all ethnic groups in China,and greatly promoted the development of the literary creation written in Chinese language by ethnic minority literati in the Hehuang region.

关 键 词：明清时期 河湟地区 诗文创作 文学交融 

分 类 号：I206.2[文学—中国文学] K248[历史地理—历史学]