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作 者:蒋海霞[1,2] 邢亚龙 陈振益[3] 武佳玮 JIANG Hai-xia;XING Ya-long;CHEN Zhen-yi;WU Jia-wei(Department of Creative Design,Dongguan Polytechnic,Dongguan 523429,Guangdong,P.R.China;Faculty of Art,Sustainable and Creative Industry,Universiti Pendidikan Sultan Idris,Perak 359000,Malaysia;School of Innovative Design,City University of Macao,Macao 999078,P.R.China;Department of Architecture and Design,Qinhuangdao Vocational and Technical College,Qinhuangdao 066102,Hebei,P.R.China)
机构地区:[1]东莞职业技术学院创意设计学院,广东东莞523808 [2]苏丹依德里斯教育大学,艺术与可持续发展学院,马来西亚霹雳州359000 [3]澳门城市大学创新设计学院,中国澳门999078 [4]秦皇岛职业技术学院建筑与设计系,河北秦皇岛066102
出 处:《林产工业》2024年第12期51-55,共5页China Forest Products Industry
基 金:广东省哲学社会科学规划2023年度常规项目、三类研究专项“岭南古典家具的当代传承谱系研究”(GD23YDXZYS02);广东省一流本科专业“环境设计”专业建设(50617003065G);2023年广东省普通高校特色创新类项目(2023WTSCX100)。
摘 要:从现代身体理论视角,挖掘起源于魏晋时期人物品藻的东方身体美学及文化记忆,重新探索身体和椅子的关系。以设计实践为基础,从“形式——仪姿的镜像与表征”“工艺——皮象与骨骼的统一”“体验——躯体与精神的融合”3个方面展开设计研究,以东方身体经验为核心,在形式美学突破、工艺结构达成和使用体验方面探索椅子对身体的表达,并探讨了国内独立设计团队原创家具作品的推广方式。通过设计实践研究,尝试探索现代理论对本土文化记忆的挖掘,摆脱对常规中式设计文化资源路径的依赖。From the perspective of modern body theory,this paper explored the Eastern body aesthetics and cultural memory originating from the character Pinzao during the Wei and Jin dynasties,and reexplored the relationship between the body and the chair.Design research was conducted from three aspects:"Form-Mirror and Representation of Appearance","Craftsmanship-Unification of Skin Elephants and Bones",and"Experience-Integration of Body and Spirit".With the eastern body experience as the core,in this study,the expression of chairs on the body in terms of form aesthetics breakthroughs,process structure achievement,and usage experience was explored.The promotion methods of original furniture works by independent design teams in China were also explored.Through design practice research,try to explore the modern theory of local cultural memory mining,get rid of the conventional Chinese design cultural resource management path dependence.
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