“天道”与“古道”——汉武帝的礼乐兴作及其文学史意义  

"Heavenly Way"and"Ancient Way":Emperor Wu of the Han Dynasty's Practice of Rituals and Music and Its Significance in the History of Literature

作　　者：黄若舜[1] Huang Ruoshun(School of Liberal Arts,Nanjing University,Nanjing 210023,China)

机构地区：[1]南京大学文学院,南京210023

出　　处：《北京大学学报（哲学社会科学版）》2024年第6期66-77,共12页Journal of Peking University(Philosophy and Social Sciences)

基　　金：国家社科基金项目“《春秋繁露》文本构成与‘董仲舒学派’研究”(21CZW015)。

摘　　要：汉武帝时期礼乐观念的转变促成了辞章地位的升格与文辞意识的兴起。在制礼作乐的过程中,汉武帝有意扬弃传统、甚至去历史化,转而采取宗教化的路径,一变“法古制礼”为“奉天制礼”。这种由“古道”至“天道”的转变重新鼓荡起汉帝国的神话想象与诗性激情,诞育出文学史上极富个性的一代文学家。The change of the ideas on rituals and music during the period of Emperor Wu of the Han Dynasty(汉武帝)contributed to the elevation of the status of prose and verse and the rise of the consciousness of literary language.In the process of creating rituals and composing music,Emperor Wu intentionally abandoned tradition and even carried out dehistoricization,and then turned to adopt a religionized path,changing“the creation of rituals by following the ancient way”(法古制礼)to“the creation of rituals by following the heavenly way”(奉天制礼).This transformation from the“ancient way”(古道)to the“heavenly way”(天道)rekindled the mythical imagination and poetic passion of the Han Empire,and nurtured a generation of writers with great personality in the history of literature.

关 键 词：天道 古道 礼乐 文辞 

分 类 号：K234.1[历史地理—历史学]