艺术地理学视野下《东北画报》美术作品的地理要素研究  

Geographical Elements in the Artworks of Northeast Pictorial from the Perspective of Artistic Geography

作　　者：闫垒垒 刘寅凯 YAN Lei-ei;LIU Yin-kai(Jilin University of Arts,Changchun Jilin 130021;Boda College of Jilin Normal University,Siping Jilin 136000)

机构地区：[1]吉林艺术学院,吉林长春130021 [2]吉林师范大学博达学院,吉林四平136000

出　　处：《吉林艺术学院学报》2024年第5期51-59,共9页Journal of Jilin University of Arts

基　　金：吉林省教育厅社会科学研究项目“中国共产党领导下《东北画报》美术作品研究(1945—1955)”(JJKH20220481SK)阶段性成果。

摘　　要：《东北画报》作为东北解放战争时期的宣传阵地,其刊载的美术作品是经过赴东北的延安美术家努力,将延安美术思想和范式与东北地域相结合,秉承《讲话》精神,调适出可以表现东北地域面貌和人文景观的美术作品。地理要素在《东北画报》美术作品中主要是以自然地理景观所展现的白山黑水、人文地理景观所渗透的风土人情、早期工业化城市化的地理景观等形态呈现。其地理要素的参与象征着东北壮丽的山河、不屈的抗争精神与推翻旧时代的新面貌,以及在东北较为恶劣的自然条件下人民投身于祖国建设的热情。丰富鲜活的人物造型和波澜壮阔的时代图景,塑造了东北人的历史形象。考察其地理要素可以为地方文化的构建找到理论依据,为东北文脉探索以及美术发展提供文献材料,也可以为继续研究东北红色美术提供学术支持。As a key platform for propaganda during the Northeast Liberation War,Northeast Pictorial published artworks created by Yan’an artists who had relocated to the region.These artists combined Yan’an's artistic philosophies and paradigms with the geographical and cultural characteristics of Northeast China,adhering to the spirit of Talks at the Yan’an Forum on Literature and Art.The artworks depict geographical elements such as the natural landscapes of Baishan and Heishui,the cultural geography of local customs,and the early industrial and urban landscapes.These elements symbolized the grandeur of the Northeast's mountains and rivers,the resilient spirit of resistance,the emerging new society,and the enthusiasm of the people contributing to national construction despite harsh natural conditions.Vivid character portrayals and grand depictions of the era crafted a historical image of the Northeast people.Examining these geographical elements provides a theoretical foundation for constructing regional culture,offers valuable resources for exploring the cultural legacy and artistic development of Northeast China,and supports further research into the region's red art movement.

关 键 词：东北画报 艺术地理学 美术作品 地理要素 

分 类 号：J20-05[艺术—美术]