民国时期天津市立美术馆的实用美育理念与近现代中国美术馆的形象塑造  

On the Tianjin Municipal Art Museum's Philosophy of Practical Aesthetic Education during the Republican Period and the Iconography of Modern Chinese Art Museums

作　　者：徐丹丹[1] Xu Dandan

机构地区：[1]湖北美术学院艺术人文学院,湖北武汉430205

出　　处：《艺术探索》2024年第6期63-69,共7页Arts Exploration

基　　金：2020年度湖北省教育厅科学研究计划资助项目“‘后疫情时代’博物馆美术教育资源的数字化及应用研究”(Q20202302)。

摘　　要：天津市立美术馆作为中国第一所公立美术馆,对近现代中国美术馆的形象塑造具有典范意义。关注现实、以美育促进实业发展的实用美育理念贯穿于天津市立美术馆征集、收藏、展示、研究等各个方面,形成具有代表性的美术博物馆面貌。这契合了同时期学者的理论研究,成为美术馆具备博物馆属性的现实注脚。同时,实用美育理念使天津市立美术馆极为关注人才培育、实业发展和城市更新,凸显美术馆建设中主题展览、经世致用等特征,使美术馆从从属于博物馆系统的面目模糊的状态中走出来,拥有相对独立的现实形象,并为作为美术馆重要分支的学校美术馆的发展提供有力支撑,为美术馆的本土化发展提供更多的可能性参考。As the first public art museum in China,the Tianjin Municipal Art Museum held a paradigmatic significance in shaping the image of modern Chinese art museums.The philosophy pf practical aesthetic education,which emphasised reality and the promotion of industrial development through aesthetic education,permeated various aspects of the Tianjin Municipal Art Museum,including collection,exhibition,and research,thereby forming a representative'art museum'image.This served as a practical footnote to the museum's attributes,aligning with the theoretical research of contemporary scholars.Concurrently,this philosophy led the Tianjin Municipal Art Museum to place significant emphasis on talent cultivation,industrial development,and urban renewal,thereby stressing the distinctive features of thematic exhibitions and practical applications in the construction of art museums.This enabled the art museum to emerge from obscurity within the museum system,establishing a relatively independent and realistic image,and offering robust support for the development of art museums in schools,a crucial branch of the art museum sector,thus expanding the possibilities for the localisation and growth of art museums.

关 键 词：天津市立美术馆 严智开 实用美育 美术博物馆 

分 类 号：J124[艺术—艺术理论] K258[历史地理—历史学]