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作 者:白谦慎[1] Bai Qianshen(School of Art and Archaeology,Zhejiang University,Hangzhou 310000,China)
机构地区:[1]浙江大学艺术与考古学院
出 处:《文化软实力研究》2024年第6期39-50,F0003,共13页Studies on Cultural Soft Power
摘 要:本文以晚清官员的书法实践为中心,认为晚清官员的书法活动不仅是个人修养的体现,也是社会交往的重要方式。他们通过日常的书法练习,追求艺术上的精进,并通过书法作品进行社交应酬。从而进一步认为,晚清时期书法艺术在西方文化的冲击下仍保持了遵循传统这一稳定性,且通过吸收部分现代技术提升了写作效率,而科举制度的终结是导致书法教育边缘化的重要原因。总的来说,晚清官员的书法实践反映了中国传统文化的连续性和变革期的复杂性。Focusing on the calligraphy practices of late Qing officials,this research argues that their engagement in calligraphy was not only an expression of personal refinement but also a crucial mode of social interaction.Through daily practice,they pursued artistic excellence,using calligraphic works as a means to social engagement.Furthermore,the research suggests that calligraphy in the late Qing era maintained its adherence to traditional Chinese culture despite the influence of Western culture,while also adopting certain modern techniques to enhance writing efficiency.The abolition of the imperial examination system,however,played a significant role in marginalizing calligraphy education.Overall,the calligraphic activities of late Qing officials exemplify both the continuity of Chinese tradition and the complexities of a transformative era.
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