情景相生、言事喻理、以物喻人——《世说新语》自然审美的三个维度  

Contextual Resonance,Analogical Reasoning Through Stories,and Personification in Objects:Three Dimensions of Natural Aesthetics of Shishuoxinyu

作　　者：张海艳[1] ZHANG Haiyan(School of Chinese Language and Literature,Wuhan University,Wuhan Hubei 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《乐山师范学院学报》2024年第11期38-45,共8页Journal of Leshan Normal University

摘　　要：对于《世说新语》一书中的自然书写,学界研究主要集中于“以物喻人”。事实上,《世说新语》中的自然书写大致可分为深情化的“情景相生”、理趣化的“言事喻理”和人格化的“以物喻人”三个方面,体现了魏晋士人之感性审美、理性思辨和物我合一的自然审美之完整景象。魏晋时人所推崇和践行的清、远、达、劲等价值标准通过这三个平行维度渐次展开和反复重申。借此不仅可以体会到形象生动的语言艺术和含蓄深刻的灵思妙想,亦可对魏晋士人之生活状态和精神追求有更加切近的感受。As for the nature writing in Shishuoxinyu(A New Account of Tales of the World),academic studies have mainly focused on the “personification in objects”.In fact,the nature writing in Shishuoxinyu can be divided into three aspects:emotional “contextual resonance”,rational “analogical reasoning through stories”,and personalized “personification in objects”.These aspects reflect the complete landscape of natural aesthetics among Wei and Jin scholars,encompassing their perceptual appreciation,critical thinking,and the unity of self and nature.And the values of being clear and bright,profound and broad,carefree and unrestrained,strong and robust revered and practiced by people in Wei and Jin periods are progressively unfolded and repeatedly reaffirmed through these three parallel dimensions.Through this,we can not only experience the vivid language and subtle thoughts,but also have a closer feeling of the living condition and spiritual pursuit of the people in Wei and Jin periods.

关 键 词：《世说新语》 自然物象 审美 

分 类 号：I206[文学—中国文学]