埃里克·萨蒂音乐创作中的数理思维及其精神意蕴  

Mathematical Thinking and Spiritual Implications in Eric Satie's Music Compositions

作　　者：冶鸿德 Ye Hongde

机构地区：[1]中国音乐学院,北京100091

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第6期87-95,I0002,共10页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

基　　金：北京市社会科学基金重点项目“中国传统作曲技法的当代传承与拓展研究”(项目编号:22YTA001);国家社科基金艺术学重大项目“中国特色作曲理论体系研究”(项目编号:21ZD17)阶段性成果。

摘　　要：法国作曲家埃里克·萨蒂在人们脑海中的形象往往并不清晰,但他的行为、创作、思想,对20世纪音乐产生了重要的影响。萨蒂的音乐简洁凝练,数理思维和方法是其创作中的重要特点,主要体现在对质数及特定数列的运用、对称思维、组合思维、持续思维等。其中以数字控制音乐结构占据着突出地位。萨蒂作品中数理思维与艺术经历有着密切关系,体现出独特的精神意蕴,对20世纪的音乐发展有着不可忽视的影响。The image of the French composer Eric Satie is often not clear,but his actions,creations,and thoughts have had an important impact on music in the 20th century.Satie's music is concise and refined,and the mathematical thinking and related methods used are important characteristics,which are mainly revealed by the use of prime numbers and specific sequences,symmetrical thinking,combinatorial thinking,continuous thinking,and so on.Among them,the digitally controlled music structure occupies a prominent position.The mathematical thinking in Satie's works is closely related to his artistic experience,showing unique spiritual implications and having a non-negligible influence on the development of music in the 20th century.

关 键 词：埃里克・萨蒂 音乐创作 数理思维 精神意蕴 

分 类 号：J614[艺术—音乐] J603