音乐史学在中国的回首与瞻望——中国音乐史学问题思索之十二  

Retrospect and Prospect of Music Historiography in China——Thoughts on the Issues of Chinese Music Historiography(Part Ⅻ)

作　　者：田可文[1] Tian Kewen

机构地区：[1]武汉音乐学院,湖北武汉430060

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第6期199-206,I0003,共9页JOURNAL OF NANJING UNIVERSITY OF THE ARTS:Music & Performance

摘　　要：中国音乐史料记载悠久古远,但作为历史与音乐交织成的中国音乐史学的形成,却仅能追溯到20世纪初。中国音乐史研究是整个中国文化史的一个重要组成部分。在中国音乐史学发展中,每一时期的音乐历史观念各有特征。瞻望我国音乐史学的演进,需要将理性思维处于不断变化且有中国文化特征的系统之中,并以多学科、多视角、多手段的研究,来加宽学术视野,把貌似单纯的历代音乐史实,置于整个中华文化历史系统中,将中国音乐史研究放置于应有的整个文化史系统之中,加强其整体属性的研究。People have recorded Chinese music materials for a long time,but Chinese music historiography,formed through the interweaving of history and music,can only be traced back to the early 20th century.The study of Chinese music history is an important part of the entire Chinese cultural history.In the development of Chinese music historiography,ideas on music history in each period had their own characteristics.Regarding the future development of Chinese music historiography,it is necessary to involve rational thinking in the system that is constantly changing and has Chinese cultural characteristics,and to broaden the academic horizon through multidisciplinary,multi-perspective and multi-means approaches.The complex historical facts of music should be put into the entire Chinese cultural history system,and the study of Chinese music history should be placed in the entire cultural history system,so that the overall integrality of studies can be strengthened.

关 键 词：中国音乐史 音乐史研究 音乐史学 回首 瞻望 

分 类 号：J60-05[艺术—音乐]