诗中有声:论王维山水田园诗中的听觉意象  

Ahe Sound in Poetry:On the Auditory Imagery in Wang Wei's Landscape and Pastoral Poetry

作　　者：余湘 YU Xiang(Guangxi Normal University,Guilin Guangxi 541000,China)

机构地区：[1]广西师范大学,广西桂林541000

出　　处：《齐齐哈尔高等师范专科学校学报》2024年第6期70-73,共4页Journal of Qiqihar Teachers College

摘　　要：王维诗歌“诗中有声”的特点,在他的山水田园诗中体现得尤为明显。不论是风声、水声等自然之声,还是鸟啼、虫鸣等动物之声,或是谈话声、笑语声等人文之声,王维山水田园诗中丰富的听觉意象,既是其诗歌境界的塑造方式,也是诗人主观情感的有效表达。究其原因,除对传统诗歌听觉意象的借鉴与继承外,更有诗人的独到创新;既受到盛唐文化的影响,更是诗人个人审美情调的表现,当然和诗人深受禅宗浸染也有着密不可分的关系。The characteristic of"sound in poetry"in Wang Wei's poetry is particularly evident in his landscape and pastoral poetry.Whether it is the sound of wind and water,the sound of birds singing and insects chirping,or the sound of human conversation and laughter,the rich auditory imagery in Wang Wei's landscape and pastoral poetry is not only a way to shape the poet's poetic realm,but also an effective expression of his subjective emotions.The reason for this is not only the borrowing and inheritance of traditional poet‐ry's auditory imagery,but also the poet's unique innovation;it is not only influenced by the culture of the Tang Dynasty,but also the expression of the poet's personal aesthetic temperament;of course,it is also closely related to the poet's profound influence by Zen Buddhism.

关 键 词：王维 山水田园诗 听觉意象 

分 类 号：I222.7[文学—中国文学]