作为媒介的水印木刻版画创新局限中的可能性  

Possibilities Within Limitations of Watermark Woodcut Innovation as Medium

作　　者：龙珩 LONG Heng

机构地区：[1]昆山博物馆

出　　处：《丝网印刷》2024年第21期39-42,共4页Screen Printing

摘　　要：水印木刻版画是从中国传统雕版印刷技术演化形成的中国独有的版画艺术形式,不仅是一个技术版种,也是一个美学系统和文化载体。通过阐释水印木刻版画制作过程中的具体方法,探讨在不同时代背景下水印木刻版画作为艺术媒介的各种可能性,找寻版画作为视觉艺术的过程性认知。Watermark woodcut is a unique Chinese art form formed from the evolution of traditional Chinese engraving and printing technology.It is not only a technical type,but also an aesthetic system and cultural carrier.By explaining the specifi c methods in the process of making watermark woodcut prints,we explore the various possibilities of watermark woodcut prints as an art medium in diff erent eras,and fi nd the process cognition of printmaking as a visual art.

关 键 词：水印木刻版画 艺术媒介 艺术创作 印痕 复数性 

分 类 号：J217[艺术—美术]