明清版画制作者刻工署名现象剖析  

Analysis of Sign Phenomenon of Woodcuters in Ming and Qing Dynasties

作　　者：周亮[1] 周小牧 

机构地区：[1]江南大学设计学院 [2]肇庆学院美术学院

出　　处：《创意与设计》2024年第6期76-80,共5页Creation and Design

基　　金：国家社科重大项目“明清小说戏曲图像学研究”(19ZDA256)。

摘　　要：本文从明清版画制作者之一刻工署名位置展开,结合作品进行了诠释,并例举出著名刻工在版画作品中的作用,进而探讨了家族式的刻工团队模式,及古籍版本中序跋等处对刻工的认可。This paper commences from the position of the signatures of woodcuters,who were among the producers of woodblock prints during the Ming and Qing dynasties.It conducts interpretations in combination with the works and exemplifies the functions of renowned woodcuters in woodblock print works.Furthermore,it explores the team model of woodcuters within families and the recognition of woodcuters in prefaces,postscripts,and other parts of ancient book editions.

关 键 词：刻工 明清 版画 

分 类 号：J217[艺术—美术] K248[历史地理—历史学]