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作 者:陈静[1] CHEN Jing(Jinling Institute of Technology,Nanjing 210038,China)
出 处:《金陵科技学院学报(社会科学版)》2024年第4期41-48,共8页Journal of Jinling Institute of Technology(Social Sciences Edition)
摘 要:文学节奏具有整体性,其外节奏是由声音层呈现的语言节奏,内节奏则是由情感层和技术层共同呈现的文章内在张力。以鲁迅非韵文作品为例,考察鲁迅文学内外节奏的关联与互动。鲁迅非韵文作品的外节奏均衡而富于变化,用韵丰富,声韵和协,平仄错落,辞格多有力量。外节奏与作品浓烈深沉的情感相通,以谐韵平声写乐之畅,以谐韵仄声写哀之深,以排比造势写愁之长,借元音呼告抒情之切,以反复排比套叠铺陈痛之强、怒之烈。鲁迅非韵文作品将外节奏与内节奏相融:融于叙事时空,推进情节;融于心理描摹,刻画人物;融于正反议论,强化主题;融于场景描绘,渲染气氛。Literary rhythm is characterized by its integrity;its external rhythm is the language rhythm presented by the sound layer,and the internal rhythm is the inner tension of the article presented by the emotional layer and the art of composition layer.This article takes Lu Xun s non-verse works as examples to investigate the relationship and interaction between the internal and external rhythms of his literature.The external rhythm of Lu Xun s non-verse works is balanced and varied,with rich rhyme,rhyme harmony,an alternating level and oblique tonal pattern,and numerous strong figures of speech.The external rhythm is linked to the strong and profound emotion in Lu Xun s works.The perfect joy is written with harmonic rhyme and level tones;The depth of sadness is written with harmonic rhyme and oblique tones;The long sorrow is written out with the rhetorical device of Parallelism;The deep feeling is expressed with vowels and the device of Calling;And the great pain and intense anger are described at a great length using the superposition of Repetition and Parallelism.Lu Xun s non-verse works integrate the external rhythm with the internal rhythm into narrative time and space to promote plots,psychological description to characterize characters,positive and negative argumentation to strengthen the theme,and scene description to create atmosphere.
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