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作 者:邹晓松 王若玉 ZOU Xiaosong;WANG Ruoyu(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出 处:《陶瓷学报》2024年第6期1276-1284,共9页Journal of Ceramics
基 金:江西省社会科学“十三五”(2020年)基金(20WT02)。
摘 要:西夏陶瓷是中国传统器物文化的重要组成部分,具有深厚的西夏文化内涵。作为文化的具象化符号,西夏扁壶形制既保留了皮囊壶的传统造型,又将游牧民族与农耕民族的造型特色杂糅汇聚,最终构建了具有多元一体融合形式的陶瓷造型,实为西夏游牧文化与中原农耕文化相互交融、互鉴之产物。西夏社会由单一的游牧生活逐步转变为兼具农耕与畜牧的混合经济模式,从游牧的迁徙生活渐变为农牧并重的定居生活,在此背景下,西夏扁壶作为其文化的物质载体,见证了其文化变迁的丰富历程。西夏陶瓷扁壶之设计方向也因此发生了重大变革,造型设计已逐渐超越传统游牧民族生活方式之局限,更加适应半农耕半游牧的定居生活环境。西夏陶瓷扁壶的造型与游牧文化之变迁紧密相连,游牧文化之变迁则成为推动西夏陶瓷造型不断创新与发展之重要因素。Western Xia ceramics are an important component of traditional Chinese artifact culture,embodying deep Western Xia cultural connotations.As a cultural symbol,the Western Xia flat pot not only preserves the traditional form of the pouch pot,but also amalgamates the stylistic characteristics of both nomadic and agrarian cultures.This ultimately results in a diverse and integrated ceramic form,reflecting the interplay between Western Xia nomadic culture and the farming culture of the Central Plains,characterized by mutual appreciation.The Western Xia society gradually evolved from a solely nomadic lifestyle to a mixed economic model incorporating both agriculture and animal husbandry.This transformation marked a shift from migratory nomadic living to a more settled life based on farming and herding.In this context,the Western Xia flat pot serves as a material embodiment of cultural essence,vividly illustrating the rich dynamics of this cultural transition.The design direction of Western Xia ceramic flat pots has also undergone significant changes.The modeling design concepts have gradually transcended the limitations of traditional nomadic lifestyles,embracing a pursuit of designs better suited to a semi-agricultural and semi-pastoral sedentary living environment.The shape of Western Xia ceramic flat pots is closely linked to nomadic culture,while the evolution of this culture has served as an important role for the innovation and development of Western Xia ceramic modeling.
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