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作 者:伏虹晓 徐永明[1] Fu Hongxiao;Xu Yongming(School of Literature,Zhejiang University,Hangzhou 310058,China)
出 处:《浙江大学学报(人文社会科学版)》2024年第11期75-86,共12页Journal of Zhejiang University:Humanities and Social Sciences
摘 要:对《全清词》“顺康”“雍乾”两卷中可考籍贯词人进行数据分析及可视化呈现可知,清代前期词人的南方性特征明显,以江浙为最,南北词人比例差距悬殊,然而随着政局稳定,长江中下游地区、环太湖流域、福建、广东的珠江流域等地词坛百花齐放,边远地区词人所占比重有一定上升。对比“嘉道”卷的数据,可看出清代前期词人具有高度集中在江浙、依赖水运、受政治因素影响较大等特点。借助地理分布可视化呈现,考察经济、文教、政治、交通对诗人地域分布的作用,为清词研究提供了一种全局、全知、全貌的研究视角。The Ci Poetry of the Qing Dynasty has always displayed regional and familial characteristics.By conducting data analysis and visualizing the birthplace of Ci poets in the“Shunzhi-Kangxi”volume and“Yongzheng-Qianlong”volume of The Complete Ci Poetry of the Qing,along with comparative data from the“Jiajing-Daoguang”volume,the geographical distribution patterns of the Early Qing Dynasty Ci poets can be examined.From its inception,Ci Poetry has exhibited a stronger“southerness”compared with poetry and prose.From the Song to the Qing Dynasties,the proportion of Ci poets from the North and South gradually diverged.Through provincial distribution maps,a clear pattern emerges with the Jiangsu and Zhejiang regions at the center,diminishing towards the surrounding provinces.This demonstrates the prominent position of Jiangsu and Zhejiang in Ci poetic theory.The progress in other regions was mainly related to the economic development,but factors such as education,printing industry,and regional Ci poetic theory traditions also played crucial roles.Through county and city distribution maps,it is evident that the core areas were Southern Jiangsu and Western Zhejiang.Overall,urban clusters in the middle and lower reaches of the Yangtze River created a block-like distribution belt.This also establishes a regional literary sub-center,concentrated in major cities,with a clear trend towards aggregation.By the end of the Kangxi Period,the Ci poetic scene began to decline,coinciding with the passing of many Ming loyalists during the Shunzhi-Kangxi Era,the intensification of literary inquisitions,and the compilation of works such as the Qinding Cipu and the Lidai Shiyu.During the Yongzheng-Qianlong Period,the Ci poetic scene largely maintained the structure of the Shunzhi-Kangxi Era,with the number of Ci poets decreasing by about half.The proportion of Ci poets from Jiangsu and Zhejiang declined,while the disparities among other provinces also narrowed compared to the Shunzhi-Kangxi Era.In regions such as the middle an
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