情动与自然世界的视觉呈现——五代到两宋中国山水画中的“天气”  

Emotional Resonance and the Visual Representation of the Natural World:The“Weather”in Chinese Landscape Paintings from the Five Dynasties to the Song Dynasties

作　　者：王茜 Wang Qian

机构地区：[1]华东师范大学国际汉语文化学院,上海200062

出　　处：《学术研究》2024年第12期161-168,178,共9页Academic Research

摘　　要：五代到两宋在中国气象历史上是一段冷暖反复交替的时期,风云雨雪等天气现象也在此期的山水画中获得了生动逼真的表现。山水画通过创造性地使用一套作为差异性符号系统的笔墨语言,呈现自然气象世界的整体氛围特征,诉说身体受自然渗透滋养而产生的情动。身体作为自然与文化的连接者,既时刻体察着自己的内在情动,又作为文化主体映现并重述着外在自然,可见的自然因此处在身体情动不可见的生命晕圈与眼睛之所见的交汇之中。对山水画中天气呈现的考察,揭示出由人、自然和艺术作品共同构成的“自然—人文”生态系统,这个系统既展现了人类审美文化生活的自然根基,又蕴含着一条切近自然的美学途径。From the Five Dynasties to the Song Dynasties,China experienced a period of alternating warm and cold climates,with weather phenomena vividly represented in landscape paintings of that era.Through the creative use of ink and brush techniques,landscape paintings captured the overall ambiance of the natural world,expressing the emotional resonance arising from the body nourished by nature.The body,as a connector between nature and culture,constantly perceives its own internal emotions while also,as a cultural subject,reflecting and reinterpreting nature.The visible aspects of nature thus lie at the intersection of the invisible aura of the body’s emotions and the culturally influenced gaze.The examination of the representation of weather in landscape paintings reveals a“nature-humanity”ecosystem composed of humans,nature,and artworks.This system not only shows the natural foundation of human aesthetic life but also provides an aesthetic approach that brings us closer to nature.

关 键 词：山水画 天气 身体 生态文化 自然审美 

分 类 号：I01[文学—文学理论] J201[艺术—美术]