由“伦理主体”向“浪漫自我”的超越——论冯沅君1920年代小说的浪漫特质  

Transcending from“Ethical Subject”to“Romantic Self”:On the Romantic Qualities of Feng Yuanjun’s Novels in the 1920s

作　　者：袁田野 YUAN Tianye(School of Culture and Communication,Xichang University,Xichang 615013,China)

机构地区：[1]西昌学院文化传媒学院,四川西昌615013

出　　处：《苏州教育学院学报》2024年第5期92-97,共6页Journal of Suzhou College of Education

摘　　要：一般认为,“五四”浪漫主义虽颇具主观色彩,却鲜有对现实经验的超越。然而,在女作家冯沅君那里,“超越性”与“无限性”正构成其作品的浪漫特质。文章选取冯沅君1920—1930年代的作品,由“罪感”与“母爱崇拜”的辩证关系切入,探讨“传统伦理主体”与“浪漫主义人格”双重身份在作家精神结构中的交锋与博弈。从创造/自然世界精神化、前进/殉道等面向阐明作家以“创造”与“前进”的浪漫主义信条突破传统精神权威,从“伦理人格”到“浪漫自我”的转换过程,由此呈现“五四”浪漫主义的一种超越性特质。It is generally believed that although the romanticism has a strong subjective color,it rarely transcends real-life experience.However,in the works of Feng Yuanjun,a female writer during the“May Fourth Period”,“transcendence”and“infinity”constitute the romantic qualities of her works.The paper selects Feng Yuanjun’s works from the 1920s to the 1930s,starting with the dialectical relationship between“guilt”and“mother worship”,to explore the confrontation between the dual identities of“traditional ethical subject”and“romantic personality”in the writer’s spiritual structure.From the aspects of creation/spiritualization of the natural world and progress/martyrdom,it clarifies the writer’s breakthrough of traditional spiritual authority with the romantic creed of“creation”and“progress”,and the transformation process from“ethical personality”to“romantic self”,thereby presenting a transcendental quality of the“May Fourth”romanticism.

关 键 词：浪漫主义 “五四” 冯沅君 超越性 无限性 

分 类 号：I206.6[文学—中国文学]