重塑·突破·创新:论当今川剧清官戏的时代新观  

Re-characteriztion,Breakthrough and Innovation:A New Understanding of Incorruptible Officials Plays in Sichuan Opera

作　　者：刘长宇 LIU Changyu(School of Communication Fujian Normal University,Fuzhou Fujian 350117,China)

机构地区：[1]福建师范大学传播学院,福建福州350117

出　　处：《四川文理学院学报》2024年第6期75-80,共6页Sichuan University of Arts and Science Journal

基　　金：四川革命老区发展研究中心2023年度巴山作家群研究专项一般项目“巴蜀地区戏剧影视作品的喜剧性研究”(SLQ2023ZB-03)。

摘　　要：近年来,以清官为表现对象的新编川剧作为一个突出的文艺现象浮出历史地表。这些清官戏不仅具有浓厚的川蜀地域色彩,还注入了新时代的审美元素,并且实现了创作范式上的转变:从官本位到人本位的转变。作品坚持塑人的创作核心,成功塑造出一些列个性鲜明、深入人心的清官形象。在主题上,突破人们对传统官员只唯上不唯下,崇尚皇权轻视民权的刻板形象,突出了中国的文统与道统对清官廉吏为人做官、修身治国等方面的积极影响。这些新编清官戏坚持人民性立场,具有鲜明的时代性。在艺术上,这些清官戏充分吸收民间艺术元素,创新川剧的叙事方法,实现了历史的、人民的、艺术的、美学的等多维视角下的范式创新。In recent years,the newly edited Sichuan opera,which takes the incorruptible officials as its performance object,has emerged as a prominent literary phenomenon.These plays not only have a strong regional color of Sichuan,but also inject the aesthetic elements of the new era,and realize the transformation of the creation paradigm:from the official standard to the human standard.The works adhere to the core of human creation,and successfully create a series of the incorruptible official image with distinct personalities which is deeply rooted in the heart of the people.In terms of the theme,it breaks through the stereotypical image of traditional officials,advocating imperial power and neglecting civil rights,and highlights the positive influence of Chinese culture and ethics on the incorruptible officials’self-cultivation and governance.These new compilations of incorruptible officials plays insist on the stand of people-orientation and have distinct characteristics of the Times.In terms of art,these operas fully absorb the elements of folk art,innovate the narrative methods of Sichuan Opera,and realize the paradigm innovation from the multi-dimensional perspectives of history,people,art and aesthetics.

关 键 词：非脸谱化 弱政绩化 去模式化 振兴川剧 清官戏 

分 类 号：J043[艺术—艺术理论] J805