从阿多诺“素材”的辩证法看音乐艺术的双重本质  

The Dual Essence of Music Art from the Dialectical Perspective of Adorno's“Material”

作　　者：崔莹[1,2] CUI Ying

机构地区：[1]西安音乐学院 [2]西安音乐学院人文学院

出　　处：《中央音乐学院学报》2024年第4期56-68,共13页Journal of The Central Conservatory of Music

摘　　要：文章从艺术的双重本质,探讨音乐素材作为音乐创作的生产力,具有推动着音乐艺术发展的作用。音乐素材的典型特征是“形式的内在性”,是一种形式本身所具有的自律性,同时又是基本的社会事实。音乐素材是主体性与客体性结合的产物,是艺术与社会之间的中介,是音乐艺术社会化发展过程中的主体意识的对象化的结果,是人类自我意识外化的表现形式。通过对“素材”的观照,文章力图探索阿多诺美学思想中的社会学视角以及社会学思想中的美学视角,并且进一步思考美学与社会学的学科交叉基本路径。From the perspective of the dual essence of art,this article explores how music materials,as a productive force in music creation,could play an important role in promoting the development of music art.The typical characteristic of music materials is the“inherent form”,which is a form of self-discipline inherent in itself and also a basic social fact.Music materials are the product of the combination of subjectivity and objectivity,serving as an intermediary between art and society.They are the result of the objectification of subject consciousness in the process of socialized development of music art,and the manifestation of human self-awareness externalization.By examining the“material”,this article aims to explore the sociological perspective in Adorno's aesthetic thought and the aesthetic perspective in sociological thought,and further contemplate the fundamental interdisciplinary path between aesthetics and sociology.

关 键 词：阿多诺 音乐素材 自律性 社会事实 

分 类 号：J60-052[艺术—音乐]