绘事后素:北京故宫博物院藏紫砂彩泥堆绘笔筒的色彩观  

"Painting after Simplicity":A Study of the Color Sensibility of Zisha Colored Clay Stacked Painting Brush Holders in the Palace Museum Collection,Beijing

作　　者：宁丽娟 顾峥嵘 

机构地区：[1]景德镇陶瓷大学 [2]苏州大学

出　　处：《中国陶瓷工业》2024年第6期29-35,共7页China Ceramic Industry

基　　金：国家社科基金艺术学一般项目(19BG121)。

摘　　要：北京故宫博物院藏宜兴紫砂彩泥堆绘笔筒的泥绘装饰通过协调不同泥色色相、明度、纯度之间的关系,使装饰色彩呈现出不务妍媚、质朴古拙、典雅含蓄的“绘事后素”之美。绘事后素的色彩特点与紫砂泥绘的本体装饰、中国传统工艺美术的色彩观、皇家的审美崇尚和文人意趣等都有着重要的联系。在当下图像消费的语境下,重新观照这种装饰色彩的“后素”之美,对建构紫砂独特的色彩体系和装饰语言具有重要意义。The mud-painting decoration of the Yixing zisha brush pots with colored clay embossed decoration in the Palace Museum Collection harmonizes the hues,brightness,and purity of different clay colors,this results in a decorative color that is not overly ornate,but rather simple,rustic,elegant,and subtly refined,eflecting the beauty of"painting after simplicity".The characteristics of this color scheme are closely related to the intrinsic decoration of zisha painting,the color concepts of traditional Chinese arts and crafts,the aesthetic preferences of royalty,and the scholarly tastes of literati.In the current context of image consumption,re-examining the beauty of the"painting after simplicity"color in this decoration is of significant importance for constructing a umique color system and decorative language for zisha.

关 键 词：紫砂泥绘 色彩 绘事后素 

分 类 号：G894[文化科学—体育学] J527[艺术—艺术设计]