海德格尔“域化”思想探析——以艺术作品与物为中心的考察  

An Analysis of Heidegger's“Regionalization”Thought——An investigation centered on artworks and things

作　　者：仇润鹏 李胜杰 QIU Run-peng;LI Sheng-jie(Institute of Wang Yangming and Guizhou Studies,Guiyang University,Guiyang550005,Guizhou,China)

机构地区：[1]贵阳学院阳明学与黔学研究院,贵州贵阳550005

出　　处：《贵阳学院学报（社会科学版）》2024年第6期112-117,共6页Journal of Guiyang University:Social Sciences

摘　　要：文章探析海德格尔“域化”思想的生成及演进。力图证明艺术作品与物皆是真理以“美”的方式发生、闪耀于此的场域,即:从存在者跃入存在的通道。通过考察《艺术作品的本源》与《物》中“世界”概念的同与异,指出存在自身之“域化”活动所展露的“聚集”与“统一”性。溯源海氏对希腊神庙的阐释,揭示“四方域”结构在《艺术作品的本源》中所蕴含的“雏形”。以自造“风的比喻”为核心,解析海氏“域化”思想的“居留”与“保存”。人通过创制活动参赞并化育此之“域”的发生,正是这一活动为通向真理的“跳跃”提供了可能性。This paper explores the generation and evolution of Heidegger's“regionalization”thought,and attempts to prove that both artworks and things are the fields where truth occurs and shines in a“beautiful”way,that is,the passage for the beings leaping to the existence.By studying the similarities and differences of the concept of“world”in The Origin of the Work of Art and Things,this paper points out the“gathering”and“unifying”nature revealed by the“regionalization”activity of being itself.Tracing back to Heidegger's interpretation of the Greek temples,this paper reveals the“embryonic form”contained in the structure of the“das Geviert”in The Origin of the Work of Art.With the self-created“metaphor of wind”as the core,this paper analyzes the“dwelling”and“preserving”aspects of Heidegger's“regionalization”thought.Through creative activities,human beings participate in and nurture the occurrence of this“region”,and it is precisely this activity that provides the possibility of achieving the“leap”towards truth.

关 键 词：“域化”思想 艺术作品 物 海德格尔 风的比喻 

分 类 号：D993.5[政治法律—国际法学]