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作 者:金媛 漆凌云[1] Jin Yuan;Qi Lingyun
机构地区:[1]湘潭大学文学与新闻学院
出 处:《艺术与民俗》2024年第4期62-72,共11页Journal of Arts and Folklore
摘 要:湖南省民间传说的采录工作始于20世纪30年代在湘西开展的民族文化调查,此后数十年间传说研究因此形成了两条主线:一是对少数民族民间传说的关注,二是民间传说的文化审美阐释,并在20世纪80年代形成了别具一格的民间传说和湘楚文化研究。21世纪之后,随着学界对语境的强调,以少数民族传说为研究对象的区域社会史研究兴起,湖南省民间传说研究随之呈现出大小传统并存的格局。但与研究路径多元化、论文数量大幅增长的研究现状相反,民间传说研究队伍萎缩、研究方法模式化、研究本体意识薄弱、理论创新不足等问题也日益突出。The collection of folklore in Hunan Province started from the national culture survey in the west of Hunan Province in the 1930s,which established two main lines of legend research in the following decades:one is the attention to minority legends,the other is the cultural aesthetic interpretation of legends,which formed a unique study of folklore and Xiang-Chu culture in the 1980s.Since the 21st century,with the academic emphasis on context and the rise of regional socio-history research with ethnic minority legends as the research object,the study of folklore in Hunan Province presents a pattern of the coexistence of major and minor traditions.However,contrary to the current diversified research paths and substantial increase of publications,the potential problems,such as the shrinking research team,lack of innovative research methods and theories,and weak awareness of research ontology,have become increasingly evident.
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