唯美风格与人性波动——论苏童小说的“水”意象  

Aesthetic Style and Human Fluctuation——On the“Water”Image in Su Tong’s Novels

作　　者：杨乔伊 YANG Qiaoyi(Liaoning Normal University,Dalian 116000,China)

机构地区：[1]辽宁师范大学,辽宁大连116000

出　　处：《金华职业技术学院学报》2024年第5期72-75,共4页Journal of Jinhua Polytechnic

摘　　要：在苏童小说中,“水”意象不仅表现为现实之水,而且表现为其他多种形态,赋予小说唯美诗意的美学风格。苏童借助“水”意象构建了潮湿氤氲的文学南方,诉说着颓靡伤感的传奇故事。此外,“水”意象与作家的哲学思想是相连的,“水”意象的背后蕴含作者对生命、命运、人性的深刻思考以及对当代人所处生存困境的生动呈现。The image of“water”is not only the water of reality,but also presents various forms in Su Tong's novels.It is also an aesthetie object that helps SU Tong’s novels form a beautiful and poetic aesthetic style,constructs a humid and dense literary southerm region,and tells the legendary stories of decadence and sadness.At a deeper level,the image of“water”is also connected to the author’s philosophical thinking,containing reflections on life,fate,and human nature,and expressing the survival difficulties of the contemporary people.

关 键 词：苏童 “水”意象 美学风格 精神意蕴 

分 类 号：I206.7[文学—中国文学]