蒙昧、迷恋与亲和——《丁登寺旁》的生态美学解读  

Uncivilization,infatuation and affinity--An ecological aesthetical interpretation of "Tintern Abbey

作　　者：张鑫[1] 

机构地区：[1]广西师范大学外国语学院,广西桂林541004

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2002年第6期55-58,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：在美学维度上,人与自然的关系,或者说人在自然中的成长,一直是生态美学所关注的。人与自然之间一般要经过蒙昧状态、主客二分状态然后进入最高层次上的和谐共存状态。华兹华斯在《丁登寺旁》中说明了大自然在他身上产生的作用及他对大自然的反应;蒙昧、迷恋和亲和。这种由自然境界到本能境界,最后升华为生态境界的成长过程,恰好达到了生态美学所追求的极端审美境界。On the dimension of aesthetics,ecological aesthetics always pays close attention to the relationship betwe en man and nature or the growth of man in nature.Before entering the most harmonious co -existent state,the relationship betwe en men and nature has been going through the uncivilzation and the polarization of subject and obje ct.In Tintern Abbey,Wordsworth successfully expressed the great effect of natural beauty upon his min d and his interiror reaction to natur e:uncivilixation infatuation and a ffinity.This personal spirtual process upon nature form a natural re alm and an existent realm into an ecological realm attains the ultimate aesthetical realm.

关 键 词：生态美学 蒙昧 迷恋与亲和 《丁登寺旁》 

分 类 号：J01[艺术—艺术理论]