《乐记》的诗歌创作理论初探  

A Trial Probe into the Theory of Creation on Poems and Songs in The Book of Music

作　　者：江宇冰[1] 

机构地区：[1]黑龙江大学国际文化教育学院,黑龙江哈尔滨150080

出　　处：《学术交流》2002年第5期138-140,共3页Academic Exchange

摘　　要：在诗、乐、歌合一的上古时代 ,《乐记》对以往零散的诗论有所继承和发展 ,并使之更加全面、系统。它强调君子知乐是诗歌创作的基础 ,心物感应是创作的契机 。In ancient times with the unity of poems, music and songs, The Book of Music had inherited and carried forward former scattered theories on poems systematically, which stressed that during creating works, a well-read gentleman is the basis; the interaction between spirit and nature is the moment to draw inspiration; the goal of creation is to change prevailing habits and customs.

关 键 词：君子知乐 心物感应 移风易俗 

分 类 号：I207.22[文学—中国文学]