中国古代乐律理论发展及相关问题初识——从中国科技史的一个微观视角看中国历史的走向  

The Development of Melody of Ancient Music and the Interrelated ——About the Tendency of the Chinese History from the Microcosmic of the Science and Technology History

作　　者：余敏娟[1] 

机构地区：[1]台州师范专科学校社科系,浙江临海317000

出　　处：《佳木斯大学社会科学学报》2002年第5期84-86,共3页Journal of Social Science of Jiamusi University

摘　　要：在音乐史上 ,乐律的发展可以从一个侧面反映中国当时的科技水平 ,明时朱载土育创制了十二平均律 ,说明在乐律的发展过程中 ,中国仍处于世界领先的地位 ,但遗憾的是朱载土育的十二平均律被束之高阁 ,无人问津。这与中国音乐文化的传统诸如雅音乐、民间音乐、音乐美学和音乐的功能密切关联 ,从而限制了其被应用。During the history of music, the melody develope d very quickly. The develop could partly reflect the science and technology in those days. In the Ming Dynasty Zhu Zaiyu created 'twelve-tone'. That was to say, at that time, the melody was in the lead of the word's music. But it was casually put away, and no one paid much attention to it. That was a pity. Maybe that was caused by the tradition of Chinese music culture, such as refined music, fockmusic, music aesthetics, music function. It was them that limited the progress of the twelve-tone.

关 键 词：乐律 朱载Yu 中国历史 中国 古代 理论发展 问题 中国科技史 微观视角 

分 类 号：K02[历史地理—历史学]