以史为诗:山右遗民傅山的自我写照与身份认同  

Treating Poetry as History:Fu Shan’s Views on Poetry

作　　者：郭爻 何宗美[1] GUO Yao;HE Zongmei(School of Literature,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《中北大学学报(社会科学版)》2025年第1期58-63,共6页Journal of North University of China:Social Science Edition

摘　　要：明清易代之际的遗民诗人傅山学养深厚,在清初“诗史”观念复兴的背景下,傅山没有笼统地接受前人的文学思想,而是有选择性地继承,他注重诗歌的社会功用,强调“真”“实”之观念与“诗”“史”之关系,形成了独特的诗史观,拓展深化了“诗史”这一诗学观念。咏史诗作为特殊环境下的思想表达,是傅山诗史观的文本表现形式,诗中的历史人物是其自我写照。背后的文化氛围和遗民心态则始终是影响傅山诗史观形成的因素,贯穿于傅山的文本与思想中。Fu Shan,a loyalist poet of the Ming-Qing transition,was distinguished for his erudition and cultural refinement.During the early Qing revival of the concept of“poetry as history”,Fu Shan did not pas-sively adopt his predecessors’ideas but rather selectively integrated them,focusing on the social role of poetry and the themes of“truth”and“reality”.This led him to develop a distinctive perspective on the rela-tionship between“poetry”and“history”,thus expanding the traditional notion of“poetry as history”.His historical-themed poems illustrate his concept,often using historical figures as reflections of himself.The cultural milieu and loyalist convictions that surrounded him deeply influenced his approach to poetry as a his-torical medium,which is evident in both his creative works and his philosophical outlook.

关 键 词：傅山 诗史观 咏史诗 遗民情怀 

分 类 号：I207.22[文学—中国文学]