三国两晋至北魏时期维摩信仰与维摩诘经图像  

Vimalakirti Belief and Vimalakirti Sutra Images in the Span of Three Kingdoms Period,Western and Eastern Jin Periods,and the Northern Wei Period

作　　者：卢少珊 Lu Shaoshan

机构地区：[1]浙江外国语学院

出　　处：《艺术设计研究》2024年第6期19-25,共7页Art & Design Research

基　　金：国家社科基金年度一般项目“陕北陇东北朝佛教石窟研究”(项目编号:19BKG028)的阶段性成果。

摘　　要：北魏以前存在两种形态维摩信仰,即“玄学化”和“大乘系”维摩信仰。两晋、南朝单尊维摩像强调对维摩诘本尊的崇尚,是“玄学化”维摩信仰表现。炳灵寺西秦维摩诘经图像强调经典教理,同时表现(释迦佛)维摩、文殊与“大乘系”维摩信仰有关。云冈、龙门石窟北魏时期维摩诘经图像则体现两种信仰的复合影响:一方面,维摩诘经造像热潮得益于“玄学化”维摩信仰的重新输入;另一方面,维摩诘经图像往往以从属地位参与法华经主导的图像构成,共同宣扬大乘思想。Before the Northern Wei Period,there existed two forms of belief in Vimalakirti,namely the“Metaphysical”and the“Mahayana”beliefs in Vimalakirti.In the Western and Eastern Jin Periods and the Southern Dynasty,a single Vimalakirti statue addressed the nobleness of Vimalakirti,which suggested the“metaphysical”Vimalakirti belief.In Bingling Temple,the Vimalakirti images of the Western Qin regime emphasized classical doctrine,Vimalakirti,and Manjuist(Shakyamuni Buddha),which is related to“Mahayana”Vimalakirti belief.The Vimalakirti Sutra images in Yungang and Longmen grottoes are the products of both beliefs:on the one hand,the upsurge of Vimalakirti Sutra images was attributable to the re-input of“metaphysical”Vimalakirti belief;on the other hand,the Vimalakirti Sutra images were always a subordinate part of the dominant Saddharmapundarika Sutra images and jointly advocated the Mahayana teachings.

关 键 词：三国两晋 北魏时期 维摩信仰 维摩诘经图像 

分 类 号：J18[艺术—艺术理论]