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作 者:熊兆飞 宋欣锐 李斌 Xiong Zhaofei;Song Xinrui;Li Bin
机构地区:[1]武汉纺织大学外经贸学院 [2]武汉纺织大学服装学院
出 处:《艺术设计研究》2024年第6期53-58,共6页Art & Design Research
摘 要:针对楚国神话中扶桑树纹研究问题,运用图文结合分析的方法,得出楚国扶桑树纹是太阳崇拜下人类早期文明产物交融发展的结论。研究表明:一、楚人性格的包容力使得其扶桑树纹形象起源在原始日升基础上带有中原文化和巴蜀文化集合的属性;二、先楚文明附加了其独特的文化象征,具体表现为崇火拜日的艺术形式:一方面,保留日升信仰中的通天形象,以明了的太阳描绘结合社会背景故事组合载入墓葬护佑图案中。另一方面,融合先祖崇拜凤负日的民族特色,发展为日常服饰中凤鸟主体的复合装饰纹样;三、楚国扶桑树密切关联的“十日”神话,隐含着华夏太阳论体系的文化价值。Regarding the research on the patterns of Fusang trees in Chu mythology,using a combination of graphic and textual analysis,it is concluded that the patterns of Fusang trees in Chu are a result of the fusion and development of early human civilization under the worship of the sun.Research has shown that:①The inclusiveness of the Chu people led to the origin of their Fusang tree pattern image,which has the attributes of a combination of Central Plains culture and Bashu culture based on primitive sunrise;②The pre-Chu civilization added its unique cultural symbols,specifically manifested in the art form of worshipping fire and sun:on the one hand,it preserved the image of the sky in the belief of rising sun,and combined it with social background stories to be included in tomb protection patterns.On the other hand,by integrating the ethnic characteristics of ancestor worship of the phoenix and the sun,it has developed into a composite decorative pattern of the phoenix bird as the main body in daily clothing The myth of“Ten Days”is closely related to the Fusang tree in the state of Chu implies the cultural value of the Chinese solar theory system.
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