草原文化对元词的影响  

The Influence of Grassland Culture on Ci in Yuan Dynasty

作　　者：王双梅[1] 于之也 WANG Shuangmei;YU Zhiye(School of Literature and Journalism,Inner Mongolia Minzu University,Tongliao 028000,China;Publicity Center,Affiliated Hospital of Inner Mongolia Minzu University,Tongliao 028000,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028000 [2]内蒙古民族大学附属医院宣传中心,内蒙古通辽028000

出　　处：《内蒙古民族大学学报(哲学社会科学版)》2025年第1期108-115,共8页Journal of Inner Mongolia Minzu University:Philosophy and Social Sciences Edition

基　　金：国家社科重大课题“历代北疆纪行文学文献的整理与研究”(项目编号19ZDA281);内蒙古自治区社科规划课题“北疆文化建设理论研究项目”(第一批)“辽金元时期内蒙古历史文化与文学文献分类汇编”。

摘　　要：元词与宋金词相较而言,出现一些新风貌。在创作主体上,非汉族文人队伍壮大,多族文人圈形成,以词为载体的雅集唱和活动兴盛;在题材内容上,集中描写草原文化,表达统一政权下的和合精神,元词风貌呈现出正大宏朗的盛大气象。元词的新变,不是词体内部变革的结果,而是元代“大元气象”时代精神以及草原文化之“大”的产物。Compared with the Ci of the Song and Jin Dynasties,Ci in the Yuan Dynasty exhibits distinct new characteristics.In terms of authorship,the ranks of non-Han literati expanded,multi-ethnic literary circles emerged,and elegant gatherings centered on Ci became widespread.Regarding subject matter,Yuan Ci focused on depicting grassland culture and expressing the spirit of harmony under a unified regime,presenting a grand and majestic atmosphere.The innovations in Yuan ci were not the result of internal changes within the genre but were products of the“Great Yuan”spirit of the era and the vast cultural influence of the grasslands.

关 键 词：元词 草原文化 雅集唱和 和合精神 大元气象 

分 类 号：I207.23[文学—中国文学]