歌德的音乐观探微  

An Exploration of Goethe’s Music Conception

作　　者：王伊达 WANG Yida(College of Art and Media,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学艺术与传媒学院,上海200092

出　　处：《同济大学学报(社会科学版)》2024年第6期93-102,共10页Journal of Tongji University:Social Science Edition

摘　　要：歌德的一生开始于古典主义音乐的起步阶段,结束于古典主义与浪漫主义音乐的更迭时期。他对音乐的喜爱贯穿一生。音乐不仅持续激发着他的灵感,也时常引发他的思考。作为文学家,他渴望将文字与音乐结合成新的产物。他认为,音乐应作为元素引入诗歌,在不影响诗文本体的基础上使其得到升华,将人带入另一个感知维度。作为新人文主义代表,他用科学的眼光审视音乐,起草《声音学》论著,探析音乐的主观感知与客观自然现象的关联性,试图建立一套音乐现象理论。作为魏玛政治文化的重要人物,他承袭并发展柏拉图的音乐教育理念,将音乐置于民族核心地位,发挥音乐的社会与教化功能;通过采集民歌、创作歌唱剧、打造民族音乐戏剧院、建立德意志民族音乐戏剧保留剧目库等方式来统一语言文化和思想,唤起民族情感。Goethe’s life began in the preliminary stage of classical music and ended in the transitional period between classical and romantic music.He loved music throughout his whole life.Music not only continued to inspire his creativity,but also his reflections on music.As a writer,he was eager to combine words and music into a new product.He believed that music should be introduced into poetry as an element,and then sublimated on the basis of not affecting the noumenon of poetry,so as to bring people into another perceptual dimension.As a representative of the new humanism,he examined music from a scientific perspective,drafted a book called“Tonlehre”,and explored the correlation between subjective perception of music and objective natural phenomena,trying to establish a theory of musical phenomena.As an important figure in Weimar political culture,he inherited and developed Plato’s music education concept,placed music at the core of the nation,giving full play to the social and educational function of music.By collecting folk songs,creating Singspiel,establishing national music theater,the repertoire of German national music-drama and other ways,Goethe expected to unify the language culture and thought,and arouse national emotion.

关 键 词：歌德 歌德与音乐 音乐观 

分 类 号：J601[艺术—音乐]