嵇康美学中的主体性思想探究  

The Subjective Thought in Ji Kang's Aesthetics

作　　者：刘云 LIU Yun(School of Music,Huaibei Normal University,Huaibei Anhui 235000,China)

机构地区：[1]淮北师范大学音乐学院,安徽淮北235000

出　　处：《铜陵学院学报》2024年第6期89-93,119,共6页Journal of Tongling University

基　　金：安徽省高等学校科学研究项目“民国时期纸媒文献中的中国教育理论研究”(2022AH040056)。

摘　　要：嵇康美学中的主体性思想,标志着魏晋时期人的主体性意..识的觉醒,彰显了那个时代在探索主体性价值方面所取得的卓越成就。文章聚焦嵇康美学中的主体性思想,旨在深入剖析其内涵、价值及局限。研究采用文献与理论分析法,梳理嵇康原著及相关文献,从自然本体论、审美主客体关系与主体人格审美建构三维度剖析:于自然本体论,定音乐本体为“和”,承道家批判儒家,证音乐独立性与主体性;于审美主客体关系上,与康德观点呼应,与汉斯立克同属自律论,然嵇康有片面性,艺术实具自律他律双重性;于主体人格审美建构层面,嵇康以引导节制塑“任自然”人格,行为彰显人格,借音乐与生活达理想境界,为后世供人格范式。The subjectivity thought in Ji Kang's aesthetics marked the awakening of people's subjectivity consciousness during the Wei and Jin dynasties,and demonstrated the outstanding achievements made in exploring the value of subjectivity in that era.By deeply analyzing Ji Kang's aesthetic system,we can comprehensively understand the essence of his subjectivity from three dimensions:the philosophical foundation of natural ontology,the subtle and profound interactive relationship between aesthetic subjects and objects,and the ideal construction of aesthetic subject personality.Although Ji Kang's ideas are forward-looking and profound,they are also limited by the historical and cultural environment of his time.Nevertheless,Ji Kang's aesthetic subjectivity ideology still left an indelible mark in the history of Chinese aesthetics with its unique charm and profound influence.

关 键 词：嵇康美学 主体性 自然本体 审美主客体 主体人格 

分 类 号：J01[艺术—艺术理论] I206.2[文学—中国文学]