欧洲艺术中色彩的表现及规律性——以中世纪威廉·布莱克和康定斯基作品为例  

Expression and regularity of colors in European Art——Taking the works William Blake and Kandinsky in the Middle Ages as example

作　　者：陈娟 史悠鹏 HEN Juan;SHI Youpeng

机构地区：[1]浙江理工大学

出　　处：《时尚设计与工程》2024年第6期33-34,37,共3页The Journal of Fashion Design and Engineering

摘　　要：在欧洲社会发展中,艺术经过了无数次的变革和重建。在不断的革新历程中,各阶段的艺术风格和表现主题都展现出较为明显的历史差异,色彩的研究应用由于艺术的变革亦移步换形。欧洲中世纪的艺术题材及色彩表现是极具象征意义的。艺术为宗教服务,色彩也具有特定的含义。在此背景下,18世纪艺术家在艺术创作中主要寻求精神制约和情感突破间的平衡,以此寻求突破传统,以威廉·布莱克的作品为代表进行研究,得出的结论是其色彩表现是自我精神情感的抒发和寄托,这种对传统的突破随着历史的变迁在20世纪迎来彻底的转变,色彩表现也更主张自我感受和主观意向。In the development of European society,art has undergone countless transformations and reconstructions.In the process of continuous innovation,the artistic styles and themes showed historical differences.The research and application of color have also undergone changes due to the changes in art.The artistic themes and color expressions of the Middle Ages in Europe are highly symbolic.Art serves religion,color has specific meanings.In this context,during the 18th century,artists sought the balance between spiritual constraints and emotional breakthroughs in artistic creation,and sought to break through the tradition.Conducting the research represented by the work of William Blake,it was concluded that the color expression was the expression and sustenance of self spiritual feelings.This kind of breakthrough in tradition underwent a complete transformation in the 20th century with historical changes,color expression also advocated for self perception and subjective intention.

关 键 词：色彩表现 色彩规律 中世纪艺术 

分 类 号：G63[文化科学—教育学]