为时代和人民造像——+“第十四届全国美术作品展览雕塑作品展”评述  

Creating Sculptures for the Times and the People:Commentary on the Exhibition of Sculpture of the 14th National Exhibition of Fine Arts

作　　者：吕品昌[1,2] 黄山 Lv Pinchang;Huang Shan(China Artists Association;Jingdezhen Ceramic University;Sculpture Department,Central Academy of Fine Arts)

机构地区：[1]中国美协 [2]景德镇陶瓷大学 [3]中央美术学院雕塑系

出　　处：《美术》2024年第12期29-31,共3页Art Magazine

摘　　要：本文聚焦“第十四届全国美术作品展览雕塑作品展”,以“时代性”“人民性”和“民族性”为切入点分析该展览所展现的中国雕塑新面貌。“时代性”维度围绕雕塑作品对当下新时代的内容表达和精神呈现展开;“人民性”维度强调雕塑创作中“人民”意涵的深化与升华;“民族性”维度则致力于挖掘中华传统文化的当代精神,将传统文化元素与现代审美理念相融合。From the perspectives of“the characteristics of the times”,“people-centeredness”and“nationality”,this article analyzes the new look of Chinese sculpture shown by the Exhibition of Sculpture of the 14th National Exhibition of Fine Arts.“The characteristics of the times”means demonstrating the look and spirit of the new era;“people-centeredness”emphasizes“putting people first”in sculpture creation;and“nationality”means exploring contemporary spirits of traditional Chinese culture and integrating traditional cultural elements with modern aesthetic concepts.

关 键 词：全国美展 雕塑 时代性 人民性 民族性 

分 类 号：G63[文化科学—教育学]