东方绘画语言的沉凝与迭新——《文明互鉴·数与道》创作谈  

The Development and Upgrading of Oriental Painting Language:On the Creation of Mutual Learning of Civilizations·Numbers and Taoism

作　　者：应金飞 邹萍 Ying Jinfei;Zou Ping(Zhejiang Art Museum)

机构地区：[1]浙江美术馆

出　　处：《美术》2024年第12期44-46,49,共4页Art Magazine

摘　　要：《文明互鉴·数与道》这件作品的诞生,既不是笔者对历史心血来潮式的激情,也不是艺术直觉先验式的记录,而是其对艺术、文化、社会、历史、文明等多领域长期思辨与反复实验的综合结果,更是深度研究艺术创作实践的必然答案。这些特性通过作品的主题抉择、语言蜕变、画种研判等方面的体现,构筑了当代绘画价值整体性的样本。The Mutual Learning of Civilizations·Numbers and Taoism is created on the basis of long-term reflections and repeated experiments in multiple fields such as art,culture,society,history and civilization,instead of a temporary passion for history or a transcendental intuition record of art.More importantly,it is an inevitable result of in-depth research on artistic creation.These characteristics are reflected through the choice of the theme,change of language language and assessment of painting types,and constitute a sample of the overall value of contemporary painting.

关 键 词：文明互鉴 数与道 版画 水印版画 

分 类 号：G63[文化科学—教育学]