傅抱石与20世纪中国画的现代演进  

Fu Baoshi and the Modern Evolution of the Chinese Painting in the 20th Century

作　　者：张鹏[1] 郑子艳 Zhang Peng;Zheng Ziyan(Capital Normal University)

机构地区：[1]首都师范大学美术学院

出　　处：《美术》2024年第12期72-83,共12页Art Magazine

摘　　要：本文为纪念傅抱石诞辰120周年而作。傅抱石是20世纪中国美术史上的一座巍峨高峰,他才华奇卓,勤勉治艺,学术著述、笔墨佳构皆宏富,其人、其学、其艺对中国现代美术的探索和发展产生重要影响和推动。作为不世出的通融型、学者型艺术家,他的学术和艺术植根于中华文脉深层,以深醇的文史修养为底色,学艺并驰,承古开新。站在新的历史节点上,本文进一步将傅抱石的艺术思想和笔墨经验置于20世纪中国画现代演进与变革的整体图景中予以考察和观照,由此深入挖掘、梳理、总结傅氏紧依时代生活、深汲传统文化伟力又饱含理性新变的思想核心与艺术经验。这既是对百年来现代中国画历史的回望与省思,也为当下中国画的稳健生长贡献启迪与借鉴。This article is written to commemorate the 120th anniversary of Fu Baoshi’s birth.Fu Baoshi,talented and diligent,was a master in Chinese art history of the 20th Century,and created a large number of great paintings and books.Fu Baoshi himself,his study and his art have promoted and had an important influence on the exploration and development of modern Chinese art.As a rare,open-minded,scholarly artist,he carried out both academic and artistic activities on the basis of Chinese culture,and broke new ground while carrying forward traditions.At this new historical juncture,this article examines Fu’s artistic thoughts and painting experience against the backdrop of the modern evolution and transformation of the Chinese painting in the 20th Century,and explores,sorts out and summarizes Fu’s core thoughts and artistic experience that were closely connected to daily life back then,drew inspiration from traditional culture and contained new,rational changes.This is not only a review of and reflection on the history of the modern Chinese painting over the past century,but also an inspiration and reference for the sound development of today’s Chinese painting.

关 键 词：傅抱石 山水画 人物故实画 现代演进 其命维新 

分 类 号：J21[艺术—美术]