明清关中山岳舆图及其美学表达  

Mountain Maps of the Guanzhong Region and Their Aesthetic Expression During the Ming and Qing Dynasties

作　　者：董琪 周利明[1] Dong Qi;Zhou Liming(School of Humanities and Social Science,Xi'an Jjiaotong University)

机构地区：[1]西安交通大学人文学院

出　　处：《美术》2024年第12期100-107,共8页Art Magazine

基　　金：教育部人文社会科学研究一般项目青年基金项目《明清时期陕西古地图资料集成与数字活化研究》(项目批准号:24YJC760020)的阶段性研究成果。

摘　　要：本文围绕明清时期关中地区山岳舆图的图理、图识、图形等方面展开研究。通过考察相关图像及文本资料,分析明清时期关中地区山岳舆图的嬗变规律与审美风格,探讨其空间布局与构建理念,以及山水意境的视觉传达方式。本文认为,明清关中舆图中山川地貌描绘的布局、勾勒、点染、皴擦等水墨技法,与明清时期山水画的样式形态有直接关联。This article studies the theories,symbols and images of mountain maps of the Guanzhong region during the Ming and Qing Dynasties.By examining relevant paintings and documents,this article analyzes the evolution rules and aesthetic styles of these mountain maps,and explores their spatial layout,concepts,and the visual expression methods of landscape artistic conception.This article believes that the painting techniques of layout,outlining,quick and skillful use of brush,and wrinkling and stumping used in depicting these mountain maps are directly related to the style and form of landscape paintings during the Ming and Qing Dynasties.

关 键 词：关中地区 明清时期 山岳舆图 山水画 

分 类 号：I20[文学—中国文学]