舟船渔父山水间——从郭熙《早春图》的点景人物谈起  

Fishermen on Boats Among Mountains and Rivers:On Point Figures in Guo Xi’s Early Spring

作　　者：樊晓婷 Fan Xiaoting(Art Education Research Center,City University of Macao)

机构地区：[1]澳门城市大学艺术教育研究中心,中国澳门

出　　处：《美术》2024年第12期139-141,共3页Art Magazine

摘　　要：本文以郭熙《早春图》中的渔夫形象为切入点探析山水画中点景人物背后的隐藏含义。点景人物不只是画中的点景符号,它体现着作者的思想,传达着画作深层的情感意境,反映不同时代的价值观,是寄托人类精神世界的媒介,使山川更具人文气息。This article takes the image of fisherman in Guo Xi’s Early Spring as an example to explore the hidden meaning of point figures in landscape paintings.Point figures,more than just symbols in paintings,embody artists’thoughts,convey deep emotional conception of paintings,and reflect values of different periods.They are a medium for people to express their feelings,which helps increase the cultural atmosphere of mountains and rivers.

关 键 词：早春图 山水画 点景人物 渔夫 隐逸 

分 类 号：J21[艺术—美术]